Look, kids in the suburbs. I get it. There’s not a whole lot to do other than invent new ways to get messed up. I was a teenage “rebel” once. My sister and her friends used to pound Red Bull and have “hyper parties.” I had a guy friend who used to try and smoke banana peels. One time, I attempted to get drunk off my dad’s O’Douls.
I mean, I’m pretty much the picture of sexual health unless, I dunno, maybe I get drunk or kind of high and she has good eye makeup and it’s a public restroom or library or rooftop and the weather’s decent and — okay, so I’ve made some mistakes, but this is the price I pay for it?
So, though they may be a bit cumbersome, I propose a few new terms that more succinctly get to the heart of the matter. This, my friends, is true love.
Truth be told, I kind of love Avril. She makes unabashed catchy pop and makes no bones about the fact that she’s sort of a joke. But I can’t, won’t, don’t get behind the atrocity that is “Girlfriend.”
The woman who wont drive 45 minutes to the only open McDonalds in her town at 5am when her stomach threatens to suicide over an unrequited love affair with a cheeseburger is not to be trusted. Having the willpower to overcome her instincts would make her a formidable opponent in both war and sex games.
Nothing pains me more than waiting for a VIP text message. Whether it’s a text from your ex, someone you’re planning on having sex with later, or your drug dealer telling you to go to some seedy location, you’ll be kept on pins and needles until your phone vibrates and makes that luscious beautiful sound that indicates that you have a new message.
Indeed, the two people in the Relationship for Show find each other almost by some self-organizing principal of reality, nature, society or culture; friends of the two are likely to affirm upon hearing of their newfound relationship, “oh, that makes sense,” or “heh, not surprised at all.”
Comprised mostly of minimal instrumental tracks by music ventures from The Cure to Squarepusher, the feeling of the album is that of subtle sadness, hope, and overarching, nostalgic beauty. The mood set by this part of the soundtrack is so heavy and light at the same time that you could easily spend an entire day listening to it on repeat, looking out the window at the sun shining down.