This Is Why I Let That Monster Into My Home, This Is Why I Let Him Have My Children

JULY 1969

I had just gone to bed, my seven year old mind exploring my imagination, turning thought into dream. The moon was a warm slice of yellow in my window, an expanse of stars winking down at me as I drifted off to sleep. I could hear the tv on in the living room, a comforting reminder that my parents were still awake and the monsters under my bed would stay away tonight.

That’s when I bolted awake by a knock at the front door downstairs. It was such a sharp contrast to the comforting murmur of the tv that my mind went on full alert as the noise echoed into the house. I sat up in bed, irritated, clutching Growls, my teddy bear. I heard the heavy footsteps of my father walk to the door, probably expecting a neighbor.

The familiar creak of the front door was followed by the muted murmur of conversation. I could hear my father’s voice speaking, interrupted on occasion by another male voice I didn’t recognize. My mother joined the conversation and I could hear my father getting angry.

Minutes stretched on as the mysterious late night visitor continued to talk with my parents. I slid out of bed and went to my bedroom door, peaking my head out to listen. I still couldn’t make out the words but I could tell my father was getting furious. He started yelling and I heard him demand that the visitor leave our house or he was calling the police.

Elias is a prolific author of horror fiction. His books include The Third Parent, The Black Farm, Return to the Black Farm,and The Worst Kind of Monsters.

“Growing up reading the works of King, admiring the art of Geiger, and knowing fiends like Pinhead left me as a pretty jaded horror fan today. It takes a lot to get the breath to hitch in my throat and the hair on the back of my neck to stand on end.. My fiance is quite similar, so when he eagerly begged me to let him read me a short story about The Black Farm by Elias Witherow, I knew it had to be good… And I was not dissapointed. Elias has a way of painting a picture that you can feel with all your senses and plays the tunes of terror created when our world meets one much more dark and forces you to keep turning the pages hungry for more.” —C. Houser

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