More than anything else, the US media itself is at fault for such instances of mass carnage.
A white title against a black background reads, THIS FILM SHOULD BE PLAYED LOUD!
4. Waking up panicked under the assumption that you’re late for something, before realizing that it’s your day off.
‘Manhattan’ may be just a romantic comedy. But it’s the smartest one ever made.
Ruben Stoddard Potential media-friendly nickname: “The Howard Taft of Popes.”
I’m a huge sucker for space movies (let me emphasize the space aspect — the loneliness, vastness, etc. — because aliens are kind of hit or miss for me), and I’m hoping that this film will scratch that itch the way the incredibly underrated Moon did in 2009.
“Who’s Martin Scorsese?”
The film no doubt entails a certain narrative trajectory, a recording of action through real space rather than a purely cinematic event at the site — as it were — of the screen. And, in some sense, we identify with Keitel, even if he’s grotesque and morally questionable at best.
Here is how I feel about it: books are books and movies are movies. Movies will never have the same effect as books, and likewise books will never have quite the same effect as movies. They are two different mediums with their own unique strengths and weaknesses. Therefore, their narratives have to be constructed in two different ways.
This is not some damning condemnation of perceived racism in the movie industry, this is more along the lines of a sad observation that, somewhere along the way, the cocaine that flowed in studio boardrooms like rivers during the hedonistic insanity of the seventies must have run dry and not a single producer left has the balls to take the risk of making a movie out of a story so emotionally complex and staggering in its artistic scope.