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The prisons we build for ourselves are not in some remote outpost with dynamite filled walls. They come in the shape of commitments we don’t want to keep, possessions we don’t need, people we don’t love, work we don’t want to do, obligations and debt we struggle to endure.

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If this is what feminist critique looks like, then count me out.

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Cinema sometimes subverts these norms — like The Devil Wears Prada — but the more common example is a film like What’s Your Number?, which tells women that having sex with too many people is bad.