You may know that there are two types of women in the world: the dancers and the not-dancers, and you are grateful to be in the subset of women that is obviously the better one. Thank god for this, you think to yourself; what a drag it’d be to be one of those women. Those women are sitting on a bench close to the band, hefty mixed drinks in their hands and hazy, almost drunk looks on their faces.
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Both Wallace and Murphy worked within the formal constraints of the very genres they were trying to transcend: Murphy used the sleek superficiality of dance music to explore some profound emotional experiences, while Wallace used the grammar and trickery of metafiction to expose the pitfalls of the avant-garde and ironic.