Thought Catalog

Why New Girl May Turn Out To Be A Pretty Good Show

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New Girl is a good show because it is, as they say in academia, liminal. To wit, it dramatizes a meeting of two worlds that up until now have almost always been segregated: the twee-hipster world and the bro world. Both of these, on their own, have become threadbare clichés, which is why New Girl generated such a volume of hatred well before it aired. I don’t understand exactly why hipsters on the internet hate Zooey Deschanel so vehemently — maybe she reminds them a little too much of themselves — but I will allow that a show consisting solely of “adorable” twee-girl Zooey doing her adorable twee thing would have been unbearable. But, to be fair, probably no more unbearable than one more show about three bro roommates.

To be precise, they would have been unbearable because both are stereotypes whose comedic potential has been exhausted. What rescues New Girl from the trashcan to which the blogosphere prematurely consigned it is their juxtaposition. Instead of carrying on in their own insular, insipid little worlds as usual, the two stereotypes are brought forcibly into contact with each other, made to live together under the same roof, negotiate their differences and learn from each other. And this negotiation transforms the stereotypes into something far fresher and more complex — and ultimately, perhaps, something genuinely human.

New Girl humanizes its stereotypes in the same way that Community does: by giving its characters (and its viewers) an uncomfortable awareness of the stereotypical roles they fill despite themselves. Jess (Zooey Deschanel) is not merely a stereotypical adorable twee-girl — she is a human being who acts like an adorable twee-girl because that’s the only way she knows how to deal with life. Speaking as an armchair psychotherapist I’d say she (Jess, that is — although this may well apply to Zooey in real life as well) acts out the way she does because, natch, she’s insecure. She acts silly because she’s afraid people won’t take her seriously, and would rather preemptively give them a reason not to than try to win their respect and face rejection. And her silliness is twee-inflected simply because twee is the most readily available cultural form.

We don’t know much yet about Jess’s past, but I would guess that, before her unexpected move, she lived in an environment in which her explosive quirkiness went unchallenged. If her creepily affectless best friend Cece is any indication, Jess’s friends are probably as hopelessly addicted to hipster apathy — another emotional crutch I’m sure you know all too well — as she is to twee silliness. She comes from a world in which externality is everything and crafted personas must be defended at all costs. If Jess’s friends were to call her out on hers, they would risk putting theirs in jeopardy as well. Not for nothing are they all models.

A shell as calcified as Jess’s cannot be punctured; it must be smashed by some trauma, in Jess’s case the trauma of catching her boyfriend with another woman. Cut loose from the hipster world that created her, she finds herself — via the aleatory magic of Craigslist — in a different world with a different set of rules: the bro world. The three bros — led by Schmidt, the broiest of the bunch — let her move in after she tells them her friends are all models. The crucial move that sets the whole show in motion arises directly from the stereotypical bro impulse to bang hot chicks at all costs. But this is no ordinary bro community, in which bros cling slavishly to every phrase of Man Law as if their masculinity were as fragile as glass. These bros have progressed: they have developed a self-critical awareness of their stereotypical posturing, and have even begun taking steps to correct it. The two dickbags they encounter at the bar serve as their foils, grim reminders of the ugly face of broism left untreated.

It isn’t clear what sort of people our recovering-bro heroes would like to be instead of bros, and that’s kind of the point. The show’s implicit philosophy seems to be that, the moment you try to be a certain way, you have imprisoned yourself once more in rote self-caricature. There is no “real you” waiting inside you like some Promised Land — authentic selfhood is to be found only in the constant struggle against the gravitational pull of those stereotypes that can swallow us whole if we let them. This struggle powers the comic motor in some of the best sitcoms on TV — Community, Modern Family and 30 Rock in particular.

What gives the fight against involuntary self-stereotyping its infinite comic potential is the way it always leads to overcorrection. Characters who want to escape their stereotypical identities always end up plunging headfirst into others: Annie Edison and Shirley Bennett, the two sweetest people in the study group, fight over who gets to be the “bad cop” when they form a cop duo; Phil Dunphy goes nuts trying to show his daughters that he’s be a “tough parent” while Claire is out making her son sick proving to him what a “fun parent” she can be; Liz Lemon tries again and again to be buddies with her subordinates by letting them walk all over her. In the end we are reminded that, no matter how hard we try to seize control, the messiness of life always wins.

I’m sure New Girl has such comedy of overcorrection in its future. But what makes its take on the struggle-against-stereotypes motif so fresh even in the pilot is its timeliness. In the pop-culture landscape of 2011 the twee-hipster and the bro are stereotypes of towering, almost hegemonic stature — and yet, unless I’m forgetting something, they haven’t encountered one another on TV until now, probably because they represent such different target audiences. And in their isolation, both had become lifeless caricatures of themselves.

If New Girl delivers on the promise of its pilot, and avoids turning into just the sort of cute twee schlock that its haters said it would be (which is still a danger), it could well breathe new life into not just TV stereotypes but real-life ones as well. Hipsters and bros alike are trapped in their roles, no longer wanting to be what they’ve become but not knowing how to be anything else. New Girl promises to show us that, if they want to escape the prisons they’ve locked themselves in, all hipsters and bros need is each other. TC mark

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Why New Girl May Turn Out To Be A Pretty Good Show is cataloged in , , , , , , , , ,
  • Guest

    You got all that from the first episode?

    • FromTheFuture

      It’s easy to make shit up when you’re getting paid top dollar to shill. 

      • Char

        They don’t get paid to write for thought journal….

      • gool

        they don’t even get paid to write for thought catalog either

  • your cousin

    Hipsters and bros. See also: How I Met Your Mother

    • Anonymous

      eh no

  • http://twitter.com/galette_rois Julian Galette

    You used the word twee way too many times

  • http://twitter.com/Flarfer Dave P

    Twee to be you and me, bro.

  • eff sox

    how is zooey even close hipster (in this show/real life)?  in this show, what hipster only has friends who are models?  in real life, every hipster i know has to hold back vomit when the gibbard word is used.  marrying him is the least hipster thing one could do.  so is being in elf.  so is being in an offspring video.  i guess i just don’t ‘get’ it.   

  • Anonymous

    wow… you really went for it in this article. like… damn. props to you for over-analyzing something that i could have explained in about a paragraph. here’s what i think: in order for the show to be “good” or to get better, Zooey’s character needs to bring her crazy to a whole new level. ok, she is cute and twee, but there is a bit of crazy there… and if that crazy were to be amplified, it could be a hell of a lot better. crazy is timeless. twee silliness gets old.

  • Anonymous

    I mean, yeah, but no. Mostly no. 

  • Anonymous

    Interesting, but I still don’t think I’ll ever watch this show. The sitcom itself, as a genre, has been so completely exhausted, it’s going to take a lot more than playing mix-and-match with it’s own tropes to make a “good” one…

  • molly

    don’t know how you did it, but this was actual an interesting and enriching read. i’m excited for the next episode of this show with the added context.

  • ariel

    What’s a twee girl? 

  • guest

    Well I enjoyed the post. I haven’t seen the show and now I want to watch the pilot.

    But you should post links to internet criticism of the show for readers not in the blogosphere know.

  • http://twitter.com/fuckpicnics Zoe Young

    I can’t even read this

    • Guest

      Weird that you would admit that

  • Anonymous

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  • http://twitter.com/palespectre flipside of a memory

    This show is just irritating. I mean come on, if you had a friend like Zooey D’s character in real life, it’s not kooky or twee, it’s annoying and obnoxious.

  • Thegirlwhofellasleep

    therealzooeyd

    Count down to @Gibbstack’s birthday!

    Zooey Deschanel is sooo boring dudes.

  • http://www.facebook.com/profile.php?id=1363230138 Michael Koh

    At least he didn’t write about ‘Two Broke Girls’ which should be cancelled any time now.

  • Anonymous

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  • http://www.facebook.com/profile.php?id=23443988 Dayton C Castleman

    are u old

  • http://pulse.yahoo.com/_6IFPDSFKEQJE2ZPP3ASE35MRL4 Laura

    This was hard to read. Mostly because you used way too many unnecessary words to describe something.

  • Dina

    vomit everywhere

  • zooey deschanel

    fuck ya’ll, nick cox, i will LITERALLY kill you wit ma dick. and whaddafuck is twee. stop being hetero-normative. i am a woman with a cock and i will smite you with it. i have so many feelings about your article, and none of them are good, and all of them are violent.

  • https://thoughtcatalog.com/2012/bone-marry-kill-new-girls-schmidt-nick-and-winston/ Bone, Marry, Kill: New Girl’s Schmidt, Nick and Winston | Thought Catalog

    […] got three male roommates, it’s natural to play a little game of Bone, Marry, Kill. On New Girl, there’s former basketball star Winston, “douchebag” with a heart of gold Schmidt, […]

  • http://www.itmakesmestronger.com/2012/10/bone-marry-kill-new-girl%e2%80%99s-schmidt-nick-and-winston/ Only L<3Ve @ ItMakesMeStronger.com

    […] got three male roommates, it’s natural to play a little game of Bone, Marry, Kill. On New Girl, there’s former basketball star Winston, “douchebag” with a heart of gold Schmidt, […]

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