The Worrier

Blue Jasmine / Amazon.com
Blue Jasmine / Amazon.com

I am worried. Worried about the Olympics, the possibility of a terrorist attack. Worried about Philip Seymour Hoffman, already dead, I know. Worried about Dylan Farrow, and worried that it doesn’t undo Cate Blanchett in Blue Jasmine. Worried at my desk, pausing instinctively as I hear too many sirens, an animal frozen by scent, imagining my children hidden in a school broom closet just down the hill, just out of reach.

Yet I’m oddly unworried, floating backward on this conveyer belt into what I’m told will be a “very loud” machine, an MRI for these headaches that plague me each day. The sounds are loud, unbelievably so, but I feel good, safe in a moment where all I can do is surrender to stillness, close my eyes and breathe.

On the drive to this antiseptic office complex, miles up the highway, I peek at my phone and see that my daughter has left a trembly, breathy voicemail, then a panicky, all-caps text (the teenage equivalent of screaming “MOMMY!”), about a group video project she’s accidentally left at home, “in the computer, or somewhere around there.” It’s due next period.

I realize I’ve taken the wrong exit, distracted, in rush hour traffic, and my underarms begin to sweat. I worry that my daughter’s grade will be docked, worry more that her partner’s grade will be docked. I worry that I can’t bail her out this time, worry that saving her so many times before is the reason for this latest irresponsibility. I worry that I’m beginning to stink, that I forgot to bring cash for the pay lot, that I’ll be late for my appointment window. And then it hits me: I am actually looking forward to this MRI.

I’m not being flippant. I don’t want anything to be wrong with me, I don’t think MRIs are funny, and I would never discount the experiences of those who’ve undergone diagnostic procedures with devastating results. But right now, I relish the idea of relinquishing control, abdicating responsibility, being temporarily out of commission.

When the kids were little (the oldest was six when our fourth was born), I used to fantasize about being hospitalized. Not for anything serious, just a minor accident, maybe the painless removal of some obscure, unnecessary organ — anything to get away, somewhere I couldn’t conceivably be expected to look after anyone else — vacation, minus the guilt.

Things have changed a lot since those days. For new stay-at-home moms, there’s still the Sisyphean monotony of feeding, dressing, changing, bathing, soothing, and bedding an infant, but for all of us, it’s not so isolating now, with smartphones and Facebook, Twitter and mom blogs connecting frustrated, flabbergasted, fawning mothers the world over. It’s never been the sort of job you would telephone about anyway: “Hey! What’s up? I’m goo— look, here’s the thing: I’d rather chop off my own head than spoon one more bite of clumpy rice cereal into a slobbering maw.” But you can say exactly that on the internet, as its sole basis for existence is connection, assuring us with the tap of a screen and the prayer of anonymity that we are not alone.

This has opened up the world in ways that are sometimes wonderful — I helped fund surgery for a child I previously would never have known existed — but often not so great — I learned about Philip Seymour Hoffman’s death, the bathroom floor and the needle in his arm, before half his relatives had been notified.

It’s tough to know what’s worth passing on, things that would normally exist in the realm of personal triumphs or tragedies. I was moved yesterday, clicking on an image from Anne Frank’s rediscovered toys, a simple tin of colorful marbles. It felt significant, a poignant stand-in for innocence lost then regained through the power of prose. But do I feel a similar need to leaf through the details of Paul Walker’s will, discover what Hoffman ate for lunch the day he died, or watch a viral clip of a hotel maid, surprised by a generous tip, bills splayed beneath a lifted top sheet for maximum titillation? Sometimes even the good things I don’t want to know.

I try to breathe evenly through my nose, and I think of my husband, how the atonal droning of the MRI sounds like the avant garde music he loves and I loathe, how I could make him a mixed tape of my brain scan for Valentine’s, how years of heated art-or-noise arguments resurface here, in a tube, where I’m fighting only the urge to laugh. Would it show up on a technician’s screen, my amusement, this history inside my head? So many things that can never be known, about Philip Seymour Hoffman or Paul Walker, about Anne Frank and me, no matter how much we choose to share or who pores over images of our brains.

My right ear mimics the machine’s bleeps and grinds, echoing in staticky feedback; my hearing on this side is distorted, like a dial stuck between radio stations, but this doesn’t concern me. Instead, I remember the ugly yellow polka-dot glider stationed in the upstairs hall, the hardened, curdy spitup I cleaned from its blond wood slats the day before we set it on the curb, relieved and ready to move on to the next phase. How an inconsolable baby, in the endless black of a newborn night, squawked with such force and determination that my right ear turned to fuzz and I cried, exhausted, convinced of a brain tumor that would leave my children motherless.

I worried then, shushing and rubbing this tiny infant’s back, how I’d ever pump enough milk to sustain her after I’d gone. I worried she’d go hungry even as she spewed chalky milk over my shoulder, down the unseen back of the glider. I worried, sniffing her skull, aching for the things I’d miss, until we both fell asleep, upright. And I dreamed of a nurse pull cord, just down the bed, just out of reach. TC mark

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