This is a collection of poems about, on the surface, love.
Kim Carsons, the “morbid youth of unwholesome proclivities” who stars in William S. Burroughs’s novel The Place of Dead Roads, would love Richard Barnett’s gorgeously illustrated new book, The Sick Rose: Disease and the Art of Medical Illustration.
None of these and all of these are real.
Part of a Series: “Self-Help for Surrealists.”
The Surrealist calls not for the abolition of manners, but for an etiquette that does away with snobbery and class-anxious conformity and substitutes, in its place, a social philosophy that celebrates the insurgent intellect and the idiosyncratic self.
Surrealism, for Buñuel, is as much a moral philosophy as it is an art movement.
All of this acclaim, however, doesn’t mean that Lynch can make an effective commercial, at least in the traditional sense. This video, posted on his Vimeo, is an advertisement for “David Lynch’s Signature Cup Coffee” – available in House Blend, Espresso, and Decaf French Roast.
Let’s consider What Would You Do? Here’s a show that was basically the movie Saw except with cream pies instead of elaborate death traps. There was a pie coaster, a pie pod, a pie pendulum, a pie slide, and an insane contraption called the “Pie Wash” which spun contestants around in a leather chair and enveloped them in cream shot from three nozzles.
More than just the preeminent commentator on the social role and cultural politics of graphic design in contemporary culture, the English cultural critic Rick Poynor is our most reliable dashboard navigator through the visual landscape, a politically astute, historically literate GPS plotting our course through the forest of signs.