This Is Why I Let That Monster Into My Home, This Is Why I Let Him Have My Children

Sniffling, tears now rolling down my face, I held up Growls and planted a few kisses on his worn nose. My face was flush and my heart was racing. I felt foolish and absolutely terrified, Tommy’s hand like a vice grip on the back of my head, urging me on.

“Lick him a little,” Tommy whispered in my ear.

I suddenly jerked my head away and threw Growls across the room, openly sobbing now, “I don’t love him! I hate him! I HATE HIM!”

I covered my face, ashamed, hands shaking. I pulled myself into a ball and lay there, sobbing. I felt Tommy get up next to me and turn to my mother.

“It sounds like he’s learned his last lesson. I’d be proud of him if I were you. He’s a man now.”

I looked up at him through tear soaked eyes.

His eyes sparkled, “It took five years…” He suddenly leaned down and cupped his mouth over my ear.

His voice was cold glass, his breath like hot fire, “Your little ones will get five years as well, Spence.”

And with that, he looked at my mother one last time and then walked out the door.

My mother rushed me and took me in her arms, comforting me as I cried.

Tommy never returned to our home.

Time passed and I grew up…I grew up always expecting Tommy to show up again, come barging through our front door. But he never did. The years faded and some of the horror and pain began to fade as well.

We were never the same though.

Elias is a prolific author of horror fiction. His books include The Third Parent, The Black Farm, Return to the Black Farm,and The Worst Kind of Monsters.

“Growing up reading the works of King, admiring the art of Geiger, and knowing fiends like Pinhead left me as a pretty jaded horror fan today. It takes a lot to get the breath to hitch in my throat and the hair on the back of my neck to stand on end.. My fiance is quite similar, so when he eagerly begged me to let him read me a short story about The Black Farm by Elias Witherow, I knew it had to be good… And I was not dissapointed. Elias has a way of painting a picture that you can feel with all your senses and plays the tunes of terror created when our world meets one much more dark and forces you to keep turning the pages hungry for more.” —C. Houser

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