Why You Should Never Write A Novel

Nov. 28, 2012
Jeffrey Ellinger lives and writes in Minneapolis. You can email him at jeffreyellinger[at]gmail.com. Twitter is also ...

Because you might be tempted to open it with a cute rodent. Because someone will blog about it. Because its most poignant moments will be debilitated by nudges and winks, unless you’re very careful, and no one is very careful anymore because who has time. Because it’ll either be serious but dry or earnest but clunky. Because it won’t be printed on paper. Because no one reads. Because how much is there to say, we’ve had millions of years together, we’ve said everything there is to say about a man and a woman and a creator and a place we all live.

Because it doesn’t matter, it’s all the same people writing the same things and no one gets a chance unless they’ve gone to the right school or know the right guy at the right publishing house or the right girl at the right online journal who publishes all the experimental fiction which everyone wants to RT. Because you’re nothing if your short story about a bear eating a steak with a golem in downtown Manhattan hasn’t had 50 Favorites and you’ve gotten that gold star from the website that gives out gold stars. Because you have to have 50 likes, or, at least more likes than that story published on the same website, the one you pore over and tell others is ‘so dumb,’ the one about a crow who eats a chicken with a troll in downtown Brooklyn.

Because if you write one it means you have a brain which can only survive on the praise of others, a brain that craves constant attention and needs a picture taken in public so the cows and the wedgie-givers back home can see a woman with slim jeans and dark wavy hair and a tasteful amount of cleavage holding the hand of the one they used to call fudgepacker.

Because what’s the point, the earth is going to melt, maybe sooner than later, maybe even sooner than when you finish it, maybe sooner than I finish writing this. Because you could have been doing so many other things with your precious little time. Because you could have been breathing fresh air, making love under stars, telling someone how much, truly for the first time how much, everything they’ve done has meant.

Because someone already wrote Easter Parade, The Temptation of Eileen Hughes, Angel. Because someone already wrote Stoner, O Pioneers, A Sport and a Pastime. Because someone already wrote something better than you will ever write.

Because you’ll never make a career of it, not unless you get incredibly lucky, and that’s even if you’re already very good. Because it’s like being the best choice possible for something then meeting thousands of other best possible choices and having to win a lottery among them all.

Because Kafka wanted all his writing burned and what makes you think you won’t want the same when you die, and won’t that be such a waste?

Because those who write them often kill themselves, Wallace, Plath, Toole, these are just a few names, but then there’s many more you haven’t even heard of. Because not only was the disease in their brain telling them to kill themselves — the same disease you cultivate by writing — but also there is the crushing sense of alienation from never achieving a dream and so you, like they, will die long before you should have and you didn’t get to see your children grow up and you didn’t get to tell anyone how much anyone truly meant and you didn’t get to make love under the stars ever again.

Because, if you don’t have one already, you need to get an M.F.A. and everyone knows an M.F.A is a degree which exists only because, money.

Because you might call your main character Skrimshander, which is distracting, no matter what famous book you found it in. Because your editor was the one who allowed the last name of your main character to be Skrimshander and that’s one of the best editors so what then if you have a bad one?

Because when people first thought to write them they didn’t even have technology we take for granted now, technology like steam engines, much less a technology like film, which is, even you, the writer of them would agree, a more time-efficient way to tell a story.

Because there’s already so many and there’s only so much time and adding another, well, have you seen a library?

Because, unless you are very well-read and very well-spoken, it’s annoying to hear people talk about them since no one ever sounds as smart as they believe they do, but, to hear those well-read and very well-spoken people you usually have to pay to do so, then you’re back at the problem of giving money to wealthy board members to learn how to write, which is exactly what you’re doing, even if you go somewhere very prestigious to do so, which, I’m sure, if you do, you’re thinking right now, this whole thing is about me. Because this is what you think if write novels, that everything is about you.

Because there are only so many trees. Because there are only so many titles. Because none of them are mine. TC mark

You should follow Thought Catalog on Twitter here.


Cataloged in

Text Size:

A | A | A

  • Thought Catalog

    Reblogged this on A Quill and Some Parchment and commented:
    The above Thought Catalog post gives an inside peek to the not easy side of writing: the depressing thoughts, the grappling with the questions, the struggle with appreciating the quality of one’s own work. And these are all valid.

    Novelists are a special breed. They are the people who can churn out an enticing, emotional story–one that we flip through hundreds of pages for. The novelist is someone who believes in their story, who can see the story on a grand scale, who can (literally) write it into existence and make it a tangible, cherished thing. I’m not saying that novelists are the greatest, nor am I discrediting short story writers, poets, screenwriters, journalists, bloggers, technical writers etc. (I do, however, think writers as a whole community are the greatest. But that’s just me being biased).

    While the author highlights why you should never write a novel, I want to counter that and say Why You Should Write A Novel.

    Because it’s all you want to do. Because the story you’re going to tell has been suffocating you, giving you a pounding headache like a bad hangover and you’ll both feel better when it’s over.

    Because it’s all you’ve ever dreamed of, and wouldn’t it be nice to be part of the 1% that actually gets to live their dreams? You know from the start you’re not doing it for the money (although the money would be nice) because it’s never been about the money. You just want to be able to point to a manuscript and say ‘I wrote that.’ It’d be even greater if you could walk into a bookstore, pick up your novel and say ‘I wrote that.’

    Because even though you know you shouldn’t you want to gauge your work against society’s standard to see how you hold up, to see if you can make it. Because the words we love to hear more than anything else is ‘You’re a great writer.’

    Because you don’t care if it’s the same story told over and over again through millions of years, you’re convinced that yours is different and you’re making some kind of contribution to the literary world/the human race. Writing is all you’re really good at anyway, so you might as well give the public a novel and stake your claim in history.

    Write a novel because you can. Because you want to, because it adds definition to your life. Write a novel because it makes you happy.

  • http://aquillandsomeparchment.wordpress.com/2012/11/29/why-you-should-write-a-novel-a-response-to-thought-catalogs-why-you-should-never-write-a-novel/ Why You Should Write a Novel: A Response to Thought Catalog’s ‘Why You Should Never Write a Novel.’ « A Quill and Some Parchment

    [...] To read the Thought Catalog post, click here [...]

blog comments powered by Disqus

Recently Cataloged